READING AND WRITING – THE BASICS
It has always been a firm belief of mine that you can't write – or write well, anyway – if you don't read. And I'm not talking about magazines – c'mon, people, we all read magazines, if only while waiting at the checkout counter (although 2 of my regular supermarkets now have TV for the attention-impaired, 5 second snippets of shows and commercials.) I do not discount this type of reading; I publish in magazines and do not bite the hand that at least pats me on the head. But magazines are very thin picture books, meant to give your mind a jumpstart or a tweak, not to give you hours of transportation to a completely other world.
The difference between books and magazines (or newspapers or blogs or the Huffington Post) is not exactly the same as the difference between People Magazine and actual people, but it is nonetheless great.
So when I say I have been reading, I mean books. It sort of goes without saying that I read magazines, online posts, news, cereal boxes, tee shirts, bumper stickers, the mail, and just about anything with printed words.
I have my favorite genre fiction – it runs from James Lee Burke, Dean Koontz, and Louise Penney on one side to Earl Derr Biggers, Arthur Upfield and Ngaio Marsh on another and Sue Ann Jaffarian, Jeff Sharrat and Taffy Cannon on yet another - it's a multi-sided construct. But I love classic fiction as well. I learn from it, the easy way, while being entertained, enthralled, whisked away, and fed on rich things.
I have a dear friend who just discovered the joys of a Kindle and is reading Willa Cather. Now that's reading. This same friend just finished Faulkner (the hard, difficult, rip your eyes out Faulkner of Light in August) in hardcover, so she's no stranger to the type of reading that sometimes takes you to places you would never allow yourself to be taken otherwise. But she enjoys going to the good, kind places, too.
Which brings me to writing. If you don't take the trips to places through reading, I don't see where you can buy your ticket to take others to places through your writing. It is one of only two ways I know to learn how to write, and they are both connected. The other half of it is actually writing, the BIC (Butt In Chair) method.
This week I have been reading both fiction and non-fiction – and writing.
I have completed 145 pages – roughly 45,000 words – of that same novel I started writing in late 2007. I confess I let it sit for several years due to plot holes, but I have since learned how to knit up the raveled sleeve of a couple of good ideas strung together with engaging characters, an endearing puppy dog and a couple of gruesome murders. What's not to love? And working on it this time around is a pleasure, not a chore.
I also discovered – by reading through it and looking ahead to the satisfying conclusion which I have yet to write but now can see – that it is not the mystery I thought it would be, but is an animal I have not before tamed, namely Romantic Suspense.
So I have begun to read in that genre. And it's fun. I am enjoying and learning and reading it all with a delight I before had reserved only for mystery, science fiction and certain favorite classics.
So my question this week is:
Which romantic suspense authors do you like? Recommend a few books to me before I reach the end of my own.
THREE BEAUTIFUL THINGS
Eggs for breakfast this morning. It was especially nice to know exactly which chicken laid which egg for me. Thank you Spot and Big Red. (Nothing from Whitey right now - she's molting)
Hearing a wonderful story from a friend this week about a Gustav Klimt drawing and then receiving a postcard – from a different friend! – with a Klimt drawing on it!
Ramiro, our gardener, found two small, black statues of birds and gave them to me – I will put them at the edge of the bird feeder.
